Yaakkai featuring Krishna and Swathi Reddy in the lead roles has been directed by way of Kuzhandhai Velappan, the movie genre is a romantic thriller has been produced with the aid of Muthukumaran underneath Prim Pictures banner.
Actress Vijaya Lakshmi, the daughter of veteran director Agathiyan, announced a while returned that she is quitting appearing to foray into manufacturing. Tipped as a racy action mystery, the film is being produced beneath the banner tea time talks productions and will be directed by means of Vijayalakshmi’s fiancée Feroz. The capturing of her first film Pandigai kickstarted with kreshna and anandhi playing the lead roles. The movie additionally marks his directorial debut.
Actor Guru Somasundaram who has been acting in assisting characters and elevated to the lead man or woman within the critically acclaimed super hit film ‘Joker’ has played the lead antagonist in this film. The supporting roles solid includes Prakash Raj, Radha Ravi, Singampuli. M.S.Bhaskar, g.Marimuthu and others.
The cinematography is by using p.Sathya and enhancing are by v.J.Sabu joseph. Bhaskar Sakthi has penned the dialogues. Yuvan Shankar raja has rendered the musical rating for the movie. The songs and trailer released in October 2016 obtained large acclaim. The movie is anticipated to hit the screens in December 2016.
The music comes with the sun shades of Bollywood manner and we’re sincerely certain if Yuvan Shankar Raja had roped in Arijit Singh for any such range. It might have carried vast charms on the pan-Indian degree, but Yuvan appeals perfectly in his own style.
Nee En Kannil
Nee En Kannil sounds looking nice and the upbeat rhythm works to the music’s prefer. The familiarized Yuvan’s tune maintains the song afloat in an otherwise satisfactory starting number from the composer. Yuvan’s edgy vocals and the cluttered arrangements especially toward the stop are incongruous to the overall go with the flow of the song.
Solli Tholaiyen Ma
The non-stop style of rendition without breaks and strength packed instrumentals. This is a peppy range that brings up Dhanush is high strength levels that we didn’t see for a long time. In particular, the flute bit we listen during the preludes and interludes are super.
The slight fortepianos beautiful voice of Tanvi Shah and it gives a walk inside the dreamland with a typical lady. Voice of the soul! That’s how you’ll be sincerely labeling this range. This track might gain its impact with the situational placement in the screenplay.
Naan Ini Kaatril
The spotlight is undeniably the lovable arrangements where serene piano cum string and an upbeat digital rhythm interspersed in a fabulous manner throughout the tune. Naan Ini Kaatril is easily fine one in the album, the sweeping melody is sung effects via ever reliable Chinmayi and the composer itself. Vijay’s short flute inside the second interlude is the standout piece of the track.